Saturday, 21 February 2009

February progress on Toroa

Ama connection as featured on Gary Dierking's blog

Cockpit details: note the lee deck and rib, mast base and rib at right of picture

Mast scarf details

Kiato connection: The protruding pegs are shaped to retain a lashing around the kiato.

Leeward self draining cockpit scuppers cut.

Now to finish coving.
I'm off to Whangarei to collect my first ever outboard motor, a 2.5 hp. long shaft 4 stroke. Once I have that I can build the motor bracket and the all the structure is complete. Not too long now and we'll be sailing (and motoring) again

Friday, 6 February 2009

Toroa Update.

Now for the boring (& toxic) bit.

I've finished all the structural work & the mast base is fitted, the only thing now left to complete is the windward deck to provide access out to the ama which I want to construct out of lashed bamboo. The interior is glassed so it's fairing, glassing, filling sanding, painting of all the exterior surfaces. I'll post more pictures shortly when there is more to view.

Sunday, 1 February 2009

Madagascar outrigger canoe

And now a small break from the Toroa surgery

My brother found this in a Dutch "Zeilen" magazine, January 08 (photo by Edo & Joanne Ankum)
I always understood from my friend Steven (who's father was a military courier in Africa During the second World War) that outrigger canoes were common in Madagascar, he viewed them from the bubble observation window in the PBY Catalina in which he flew regularly
Here's a nice example of a tacker (not a shunting proa)
What's revealing for me is the way the lateen sail is set down wind.

Back to work, finishing the coving and glassing on the interior of Toroa's hull today.

More soon.

Toroa by Harmen Hielkema & Mike Toy.

Header Photo: Toroa at Rawene by Julie Holton.

This blog is dedicated to the memory of my father Roelof Hielkema who instilled in me the willingness to learn.
These pages are intended to inform and add to the growing body of knowledge concerning the Canoe Culture of the Pacific, past, present & future, from the Tupuna, the Ancestors of the Pacific cultures to the people of the world.

These pages contain Images and text relating to our two proas, Toroa & Takapu, some history relating to our experiments & experiences.

The dissertation that I posted on this blog in April 2008 "Takapu The Proa" was written by me in 1997 in response to an assignment that I was set whilst studying for my design degree. The dissertation covers many issues that a proa enthusiast may benefit from reading about.

Waka define culture as culture defines waka

Waka reflect the individuality and uniqueness of a society which in turn is governed by the geography, geology, topography, climate, location, resources, isolation, origin, flora, fauna, flotsam, jetsam, etc.

Waka are our link to the past, they have shaped our present and define our future.

Waka are the vessels of knowledge, physical and mental development, freedom of bondage to the land, key to our inquisitiveness, expressions of our ingenuity and courage, our love of shape and form, the seat of our power.

Waka are the source of our material culture, from which all processes are derived.

Waka are who and what we are.