Thursday, 15 January 2009

Toroa rebuild


















Ribs installed at the intersection of the old and new sections, the kiato extensions (splints) are glued on and extend to windward as a permanent fixture of the main hull. The red kiato will be removable and will be lashed in place under the bamboo deck when on the water. I intend to continue transporting Toroa on his side with the kiato and ama removed.
I have yet to cap the extensions with timber after which they will be fiberglassed along with the deck and hull.























The blue painted void will be covered with plywood decking to form a small watertight compartment under the beam at either end. It seemed like good use of the redundant cockpit floor & will add considerable and desirable stiffness in just the right place.


















Diagonal braces will be glued in from the foredeck to the end of the kiato extensions as part of the permanent deck structure, the resulting triangle will be filled in with bamboo decking.



















Dry fit of all components to verify sizes and dimensions.
Note the final scarf jointed infill on the lee gunwale rail


















Paint removed from hull on lee side






















Mast planed and faired ready for glassing.


















Ascertaining height for ama stanchion connection point.















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Toroa by Harmen Hielkema & Mike Toy.

Header Photo: Toroa at Rawene by Julie Holton.

This blog is dedicated to the memory of my father Roelof Hielkema who instilled in me the willingness to learn.
These pages are intended to inform and add to the growing body of knowledge concerning the Canoe Culture of the Pacific, past, present & future, from the Tupuna, the Ancestors of the Pacific cultures to the people of the world.

These pages contain Images and text relating to our two proas, Toroa & Takapu, some history relating to our experiments & experiences.

The dissertation that I posted on this blog in April 2008 "Takapu The Proa" was written by me in 1997 in response to an assignment that I was set whilst studying for my design degree. The dissertation covers many issues that a proa enthusiast may benefit from reading about.

Waka define culture as culture defines waka

Waka reflect the individuality and uniqueness of a society which in turn is governed by the geography, geology, topography, climate, location, resources, isolation, origin, flora, fauna, flotsam, jetsam, etc.

Waka are our link to the past, they have shaped our present and define our future.

Waka are the vessels of knowledge, physical and mental development, freedom of bondage to the land, key to our inquisitiveness, expressions of our ingenuity and courage, our love of shape and form, the seat of our power.

Waka are the source of our material culture, from which all processes are derived.

Waka are who and what we are.